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The Triebert plastic recorder range offers top-quality instruments which deliver a rich body of sound, while providing the convenience of durable, maintenance-free resin. They have conventional baroque fingering, a typically easy response and excellent intonation. All soprano recorders are supplied in an attractive leatherette case with joint grease, fingering chart and cleaning pull-through. Soprano Recorder & Tutor Book New to the recorder? Why not add our tutor book Recorder for Beginners: The Tudor Way (by Paul Harris) to get you started ? In keeping with the recorder’s popularity in those times, this is a new and fun tutor set (almost entirely) in those wonderfully colourful Tudor times. It takes the recorder player from absolute beginner to about Grade 1 standard. Educational Discounts! When ordering 20 or more Triebert soprano recorders, Triebert alto recorders, or 'Recorder from the Beginning: The Tudor Way' books, a 10% discount will automatically be applied to your cart. Best of all, you can mix and match as much as you like! Click here to see all items available in this offer. Listen to this recorder! Van Eyck Nightingale: Your browser does not support the audio element. Sammartini Allegro: Your browser does not support the audio element. Scale: Your browser does not support the audio element.

Type: Varnished gut Length: 120cm Medium Gauge: 0.91mm Light Gauge: 0.88mm Heavy Gauge: 0.94mm Aquila's polished varnished gut strings merge the best of their knowledge of the 17th century string making traditions with modern methods aimed to improve stability to climate changes and string durability. These strings have a varnished surface. The varnish carefully chosen by Aquila ensures perfect compatibility with the elasticity of the gut, a perfect contact with the hairs of your bow, maximum protection to mechanical wear and increased stability in humidity changes.

A portable, pocket-sized tuning solution. The CA-50: the standard tuner for orchestral instruments, now with even better visibility. The CA-50 features high-precision tuning functionality and a slim and compact design. The new CA-50’s display is now, even easier to read. Long considered the standard in chromatic tuners, the CA-50 offers simple and intuitive operation and a satisfying tuning experience for every instrumentalist. An even more readable display, with a larger note name indication. The LCD screen of the CA-50 shows a needle-type meter to quickly and accurately show the pitch, and provides a note name indication in the middle of the display. The note name indication is now larger and even easier to read. This ensures simple and smooth operation even for beginners. A wide detection range supports tuning for any instrument. The CA-50 features a detection range of A0 (27.50 Hz) to C8 (4186.01 Hz). For wind instruments from piccolo to tuba, or string instruments from violin to contrabass, you can tune band or orchestral instruments of any pitch range. A high-sensitivity mic is built in, allowing the note name to be detected accurately even without a contact mic. By using the separately sold CM-200 contact mic, you can tune with confidence that nearby sounds will not affect the result. Calibration function is provided. The calibration function supports a variety of concert pitches. It can be adjusted in 1 Hz units in the range 410–480 Hz, allowing flexible tuning that matches the song or key. Marks provided to indicate pure major and minor third intervals The meter scale of the CA-50 provides marks that indicate pure major and minor third intervals. By tuning to these marks* you can play beautiful harmonies when you're in an ensemble. This is convenient not only in a brass band or orchestra, but also for vocal or a cappella practice. * When matching a pure major or minor third, the note to be adjusted will depend on the music that you're playing. Sound Out mode is ideal for ear training The “Sound Out” mode lets you listen to a reference tone emitted by the internal speaker, allowing you to tune by ear. A reference tone in the range of C4 (261.63 Hz) to C5 (523.25 Hz) can be output. You can check the pitch using both eye and ear, allowing you to tune more accurately, and also providing an ideal method of training your sense of pitch. Dramatic increase in battery life. The CA-50 can be used for approximately 135 hours (when using zinc-carbon batteries). When the remaining battery capacity runs low, the display shows an indicator, letting you know that it's time to replace the batteries. Reduced stress when using the unit on a music stand. A new mechanism reduces the possibility that the unit will overturn, making it less likely that the tuner will slide off and fall when placed on a music stand. You'll be able to concentrate on your playing without fearing that the tuner might fall during the performance. Memory backup function and auto power-off function provided. The memory backup function remembers the calibration and sound out mode settings even when the power is turned off. (Settings are initialized when you replace the batteries.) The auto power off function automatically turns off the power when 20 minutes have passed without sound being input. Stylish body design with excellent functionality. The folding stand allows the tuner unit to be more stable on its own. The sliding battery cover is designed as a single piece with the unit itself, so there's no worry that the cover might be lost when replacing the batteries. Specification: Scale: 12 note equal temperament Detection Range (Sine wave): A0 (27.5Hz)–C8 (4186Hz) Reference Tone: C4 (261.63Hz)–C5 (523.25Hz) One octave Tuning Modes: Meter mode, Sound Out mode Calibration Range: A4 = 410Hz–480Hz (1Hz steps) Detection Accuracy: +/- 1 cent Sound Accuracy: +/- 1.5 cent Connectors: INPUT jack (1/4" monaural phone jack), OUTPUT jack (1/4" monaural phone jack) Internal Speaker: Dynamic Speaker (φ21mm) Power Supply: AAA battery (3.0 V) x 2 Battery Life: Approximately 135 hours (zinc-carbon batteries, Meter mode, A4 continuous input) Dimensions (W x D x H): 100 mm x 67 mm x 17 mm / 3.94" x 2.64" x 0.67" Weight: 81 g / 2.86 oz. (including batteries) Included Items Two AAA batteries for verifying operation Accessories (sold separately): CM-300 Contact Microphone * All products names and specification names are trademarks or registered trademarks of their respective owners. * Appearance and specifications of products are subject to change without notice.

6131 Joint grease stick by Mollenhauer

YRS322B This soprano recorder is easy to play and ideal for beginners. It comes in a green case, with a cleaning rod, fingering chart and joint grease. It has an imitation rosewood finish, making the instrument look and feel more special. The 300 series offers a complete range of top quality recorders based on original Rottenburgh recorders from the 18th century. All these instruments deliver a rich body of sound, while providing the convenience of durable, maintenance-free ABS resin. They sound rich and even throughout the registers and are capable of rich expression. The arched windway allows improved breath control and a more focused tone.

Type: Varnished gut Length: 120cm Medium Gauge: 0.60mm Light Gauge: 0.58mm Heavy Gauge: 0.62mm Aquila's polished varnished gut strings merge the best of their knowledge of the 17th century string making traditions with modern methods aimed to improve stability to climate changes and string durability. These strings have a varnished surface. The varnish carefully chosen by Aquila ensures perfect compatibility with the elasticity of the gut, a perfect contact with the hairs of your bow, maximum protection to mechanical wear and increased stability in humidity changes.

Microfibre cleaning mop for alto recorder, highly absorbent

AQUL70NG Aquila's popular new nylgut lute strings. Gauge: 0.70mm (equivalent gut gauge) Length: 120cm

Yamaha YRA-402B Alto Recorder This recorder is cast from plant-based “Ecodear” plastic, which produces a mellow, centered tone that is similar to that of wooden recorders. Product features: Baroque-system alto recorder Plant-based Ecodear plastic body System: Baroque Windway: Arch Rottenburgh model Supplied with cotton case, fingering chart, joint grease and cleaning rod.

Microfibre cleaning mop for soprano recorder, highly absorbent

Recorder for Beginners: The Tudor Way! by Paul Harris – the brand new recorder tutor from Jaywood Press. “If you’d like a method from the beginning, but really firmly in the early music tradition, then this is a very nice place to start” – Sarah Jeffery, Team Recorder "The recorder has, for centuries, been one of the world’s most popular instruments. It was born in medieval times but was extremely popular in Tudor times — King Henry VIII was a very keen player! So, in keeping with the recorder’s popularity in those times, here is a new and fun tutor set (almost entirely) in those wonderfully colourful Tudor times. It takes the recorder player from absolute beginner to about Grade 1 standard. Along this engaging journey, players will meet many characters and experiences from Tudor times and a number of works by contemporary composers (and some maybe just a little bit later, too). The book is written to be for individual, group or class teaching and for all ages. If you’re about to begin this book, I hope you’ll find it most entertaining and enjoyable and I also hope it will initiate an exciting new experience for a great number of new recorder players." – Paul Harris Click here to view the accompanying Teacher's Book. Downloadable backing tracks and demonstration recordings are included Educational Discounts! When ordering 20 or more Triebert soprano recorders, Triebert alto recorders, or 'Recorder from the Beginning: The Tudor Way' books, a 10% discount will automatically be applied to your cart. Best of all, you can mix and match as much as you like! Click here to see all items available in this offer.

AQUL50NG Aquila's popular new nylgut lute strings. Gauge: 0.50mm (equivalent gut gauge) Length: 120cm

Oil brush for alto/tenor recorder by Moeck.

A pot of Moeck's oil for maintaining your wooden recorder.

Type: Varnished gut Length: 120cm Medium Gauge: 0.82mm Light Gauge: 0.79mm Heavy Gauge: 0.85mm Aquila's polished varnished gut strings merge the best of their knowledge of the 17th century string making traditions with modern methods aimed to improve stability to climate changes and string durability. These strings have a varnished surface. The varnish carefully chosen by Aquila ensures perfect compatibility with the elasticity of the gut, a perfect contact with the hairs of your bow, maximum protection to mechanical wear and increased stability in humidity changes.

AQUL79NG Aquila's popular new nylgut lute strings. Gauge: 0.79mm (equivalent gut gauge) Length: 120cm

Our BRAND NEW Recorder Consort Stand for six recorders, available exclusively at The Early Music Shop. A robust yet light-weight recorder stand, with a base of approximately 250mm in diameter. Holds six recorders – garklein, sopranino, soprano, alto, tenor and bass. Also suitable for varying combinations of these sizes (e.g. two sopranos). Made from solid wood with detachable wooden dowels. (Recorders shown are for illustrative purposes only.)

AQUL52NG Aquila's popular new nylgut lute strings. Gauge: 0.52mm (equivalent gut gauge) Length: 120cm

Following the success of Baroque String Playing 'for ingenious learners' , Judy Tarling's second book strikes at the heart of musical performance with a study of the relationship between music and rhetoric, which was much remarked upon during the Renaissance and Baroque periods. Revised edition 2013 now with enlarged index and references. Comparisons between oratory and the performance of music are to be found from the beginning of the 16th century and continue until the late 18th century. Thomas Mace (1676) asks the musician to show as much wit and variety as an orator. Geminiani (1751) compares all good music to a discourse, and recommends that the musician should use the same effects as an orator. Quantz (1752) requires the musician to use the skills of an orator to become the master of the hearts of his listeners.The absence of further detail implies that the musicians of the day knew what this meant in practice. Using the works of the classical rhetoricians Cicero and Quintilian as a framework for the book, their ideas are traced through the Tudor classroom and popular Renaissance eloquence books through to the late 18th century. Concentrating on performance techniques that aid communication of musical ideas to an audience, historical source material is used to demonstrate how to hold the attention of the listener and at the same time move and delight him, as in the classical oration. Quotations from the rhetoric manuals, Shakespeare and the Bible are complemented by over one hundred musical examples, drawn mainly from the 17th and 18th centuries, which illustrate the connection between speaking and playing in the rhetorical style. Subjects covered in the book include: A survey of the sources from ancient times, Renaissance educational method, the iconography of eloquence and persuasion, the audience, decorum, stage manner, style, imitation, affect, 'the passions', word painting, allegory, speech-based delivery, tone quality, dynamics, length of notes or syllables, exclamations, emphasis, humour, nerves, sprezzatura, articulation, rests, sighs, surprise, silence, tempo, structure, rhythm, ornamentation, figures, repetition, and rhetorical schemes. This is a must have book for Early Musicians and Early Music lovers!

Made from high-quality ABS-plastic which is hygienic to clean it is an ideal first recorder for teaching in groups or classes. The large finger holes make it particularly suitable for children. Produced in collaboration with reputable Dutch recorder maker Adriana Breukink, the Dream range is a popular choice of instrument with all levels of player. Based on the renaissance style after van Eyck it has a wide bore giving it a broad, full sound, but has conventional baroque fingering. This result in a sound that is full and powerful like the renaissance originals but with an easy response over two octaves. It is also popular with folk musicians who require a louder instrument for performance with amplified instruments. Includes a material pouch case, cleaning rod and fingering chart. Listen to this recorder! Van Eyck Nightingale: Your browser does not support the audio element. La Rotta (Anon): Your browser does not support the audio element. Scale: Your browser does not support the audio element.

AQUL73NG Aquila's popular new nylgut lute strings. Gauge: 0.73mm (equivalent gut gauge) Length: 120cm

The new Triebert plastic recorder range are top quality instruments which deliver a rich body of sound, while providing the convenience of durable, maintenance-free resin. They have conventional baroque fingering, a typically easy response and excellent intonation. All garklein recorders are supplied in attractive leatherette cases and fingering chart.

Advanced Recorder Technique is a must-have 2 volume collection for all recorder players! Volume 1 focusses on Finger and Tongue Technique: Finger Movements Articulation Scales / Arpeggios / Chromatic Scales Scales and Arpeggios in chromatic sequence Scales in Thirds Smooth Double Tonguing Virtuoso Technique in all Keys Broken Chords Trills Finger Vibrato (flattement) Double Tonguing with "did'll" Fingering Chart These books include musical examples for the alto (treble) recorder, but the tonguing and ornamentation techniques are for all sizes of recorder! Volume 2 on Breathing and Sound Technique

Jacob van Eyck's Der Fluyten Lust-hof is the largest work in European history written for wind instruments. With themes and variations of the day, it is essential repertoire as well as being excellent study material!