Schott

For 2 violins and basso continuo. Volume 1: Nos. 1-3

For 2 violins and basso continuo. Volume 2: Nos 4-6

The Ricercari for violoncello by Domenico Gabrielli are among the earliest pieces for solo cello. They are pieces of improvisational character. With the faithful reproduction of the text and the facsimile, this edition shall inspire the performer to set out on a fascinating search for the basic character inherent in each ricercare - for polyphonic approaches, sequences, and many more.

A hauntingly beautiful modern work for alto recorder and piano by Dutch composer Louis Andriessen.

TMR2

from The Division Flute

Sonata in F Major for Treble Recorder and Continuo by an anonymous baroque composer.

OFB1008 8 Chansons for Recorder Quartet (SATB) compiled and published originally by Pierre Attaingnant in 1533. Score format. Contents: Part 1: Amour me poingt (C. de Sermisy) Tous amoureux (Passereau) Les yeulx bendéz (Vermont) Troys jeunes bourgeoises (Heurteur) Part 2: Amours, amours (Gombert) Pren de bon cueur (P. de Manchicourt) Gentil mareschal (Anon.) Mirelaridon ( Heurteur)

ED10781

The advantages of Bach's music are that it is universal and to a certain extent independent of the instruments for which it was composed. His music is structured in such a brilliant and clear manner that it sounds good on any instrument. These compositions by Johann Sebastian Bach definitely are some of his best-known works and very popular. Therefore, also guitarists will certainly appreciate to be able to play this magnificent music on their instrument. All pieces are easy to play on the guitar and a valuable addition to the teaching and concert repertoire. Content: Prélude (Suite No. 1 für Cello BWV 1007) Badinerie (Suite No. 2 für Orchester BWV 1067) Aria (Goldberg-Variationen BWV 988) Jesu, Joy of Man's Desiring BWV 147 Sinfonia (Ich steh mit einem Fuß im Grabe BWV 156) Toccata für Orgel BWV 565 Inventio No. 1 BWV 772 Praeludium (Wohltemperiertes Klavier I BWV 846) Air (Suite No. 3 für Orchester BWV 1068) Bourrée I (Suite No. 3 für Cello BWV 1009) Sarabande (Suite No. 6 für Cello BWV 1012) Aria "So oft ich meine Tobackspfeife" (from Notenbüchlein für Anna Magdalena Bach BWV 5151b) Menuet (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 114) Aria "Bist du bei mir (from Notenbüchlein für Anna Magdalena Bach BWV 508) Menuet (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 115) Marche (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 122) Aria "Gedenke doch, mein Geist, zurücke" (from Notenbüchlein für Anna Magdalena Bach BWV 509) Musette (from Notenbüchlein für Anna Magdalena Bach BWV Anh. 126) Adagio (Concerto III BWV 974) Praeludium XXI (Wohltemperiertes Klavier I BWV 866) In dulci jubilo (Chorale prelude BWV 751) Bourrée (Suite für Laute BWV 996) Gavotte I (Suite No. 6 für Cello BWV 1012) Praeludium No. 2 (Sechs kleine Präludien BWV 934) Tempo di Bourrée (Partita für Violine BWV 1002) Praelude pour la luth BWV 999 Andante (Sonate für Violine BWV 1003)

Advent: Auf, auf, die rechte Zeit ist hier Liebes Herz, bedenke doch Christmas: Ermuntre dich, mein schwacher Geist O Jesulein süß, o Jesulein mild Ich freue mich in dir Passion: Sei gegrüßet, Jesu gütig Es ist vollbracht Easter: Aus, aus, mein Herz mit Freuden Jesus, unser Trost und Leben Lasset uns mit Jesu ziehen Pentecost: Brunnquell alle Güter Kommet, Seelen, dieser Tage Tageslieder: Die güldne Sonne voll Freud und Wonne Der Tag mit seinem Lichte Der lieben Sonne Licht und Pracht Trostlied: Gib dich zufrieden und sei stille (Bach) Gib dich zufrieden und sei stille (Hintze) Sterbelied: Komm, süßer Tod

OFB1020 Francesco Barsanti's Sonata in d minor for Treble Recorder and Continuo

OFB1019 Francesco Barsanti's Sonata No. 3 in g minor. I Adagio II Allegro III Largo IV Gavotta (with variations) V Minuet

OFB1027

Bass recorder - part only. Arranged by Walter Bergmann

OFB1042 Concerto No. 1 in G Major for Treble Recorder and Strings from John Baston's Six Concertos . This is a solo and piano reduction edition. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.

OFB1032 Concerto No. 2 from John Baston's Six Concertos . This concerto is presented in C Major for soprano recorder. Originally it was written in D major for a sixth flute. This is an edition with the solo part and piano reduction.

Concerto No. 3 in G Major for Treble Recorder and Continuo from John Baston's Six Concertos . This is a solo and piano reduction edition. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.