Ensemble Facsimile

The First Booke of Songs or Ayres of foure parts with Tableture for the Lute. So Made, That all the parts together, or either of them severally, may be sung to the Lute, Orpherian, or Viol de gambo (London, [rev edn] 1613)

Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto (London, 1603)

The Second Booke of Songs or Ayres, of 2. 4. and 5. parts: With Tableture for the Lute or Orpherian, with the Violl de Gamba (London, 1600)

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols (London, 1612)

Lachrimae, Or Seaven Teares Figured In Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or Violons, in five parts (London, [1604])

Zwey Trio, das erste für zwo Violinen und Bass, das zweyte für 1 Querflöte, 1 Violine und Bass, bey welchen beyden aber die eine von den Ober stimmen auch auf dem Flügel gespielet werden kan [Wq. 161] (Nuremberg, 1751)

La Gamme et Autres Morceaux de Simphonie pour le Violon la Viole et le Claveçin (Paris, 1723)

Les Nations. Sonades; et Suites de Simphonies en Trio (Paris, 1726)

Pavans, Galliards, Almains, and other short Aeirs both grave, and light, in five parts, for Viols, Violins, or other Musicall Winde Instruments (London, 1599). 5 part-books

Concert Instrumental Sous Le Titre D’Apotheose Composé à la mémoire immortelle de l’incomparable Monsieur de Lully (Paris, 1725)

Nouveaux Quatuors En Six Suites A une Flûte Traversiere, un Violon, une Basse de Viole, où Violoncel, et Basse Continuë [“Parisian Quartets” 7–12] (Paris, [1738]). 5 part-books