Solo Sheet Music

Famous dishes from France, America, Spain, China and England will all whet your appetite for these tasty, and very popular, morsels. Very adaptable too - originally written for solo descant or treble recorder they now appear with optional accompaniments for piano (or guitar). Contents Coffee & Croissants Barbecue Blue Prawn Paella Special Chop Suey Fish and Chips

A Selection of Renaissance Tunes for Descant Recorder

ZO2100181 Three Exercises for Alto Recorder by Kees Boeke. These exercises are very technically focused and for the advanced player.

The original and still popular recorder method can be used by people of no great musical ability who may be unable to take a music lesson by means of any other medium and can thus discover music together with their pupils. The various elementary technical difficulties of learning to play the recorder are dealt in this book.

Bass Recorder Solo Book ed Haas. Music from the 13th to 21st centuries.

This book contains all the scales and arpeggios required for ABRSM’s Descant Recorder exams at Grades 1-5. It features all the new requirements from 2018, arranged in grade order.

A sequel to First Solos for the Viol, this book provides a basic repertoire of Italian, French, English, Spanish and German music, mostly with a continuo part. These are "performing" pieces selected to be within the range of a competent though less experienced player.

UOEDM22 During its climax, the viol had a reputation for being able to imitate the finest nuances of the human voice and express the deepest feeling of the soul. At the end of the XVIII century, as it was considered too difficult and aristocratic, it became obsolete with respect to the new standards prevailing during that pre-revolutionary period, and it was rapidly deposed by the cello. This last was promoted throughout the whole of Europe by some virtuosi, mostly Italian. And so also Wilhelm Friedrich II, king of Prussia, at first pupil (by correspondence) of Forqueray the son, passed later on to the cello, under the guidance of Duport. In these last years the viol has found its splendour again, and its beautiful repertory, supported by some excellent musicians in concerts, recordings — even at the cine­ma — has obtained the recognition of the wide public and of certain institutions, which have included it in their teaching courses. The teaching of the Ancients, mostly based on direct transmittion and on the imitation of the teacher, has left us only few treatises, often lapidary and adaptable with difficulty to our current didactic methods. Thus, the apprentices of viol, having to face up to the venture of referring to a tradition which was interrupted for two centuries, will certainly welcome this new method with satisfaction. Intentionally devoid of photos and commentaries, this method does not intend to replace the living example of the teacher, but provides, in the form of progressive exercises, an essential help to the development of a synthetic and personal technique on the instrument. Many countries have recognized since long time the advantages offered by the viol in approaching the pleasures of music at different levels: – the different sizes making up the viol family allows the child to grow up having the experience of a superb ensemble repertory; – its humble but essential support role in the basso continuo aids the understanding of the musical structure; – its solo repertory, covering a wide range of styles, contains pieces by composers of great genius.

19 Easy to Early Intermediate Pieces for Baroque Guitar from French and Iberian Manuscripts edited by Monica Hall; little-known pieces from manuscript sources, addding to the stock of easy and intermediate music available to baroque guitarists. Ten pieces, including works by Le Cocq and Corbetta, are in French tablature, and nine more, all by ’anon’ are in Italian tablature. 24 pages.

ED12261

8 easy to intermediate pieces from Ireland, Scotland, Wales, Cornwall and Brittany for Treble Recorder and accompaniment. Includes a CD to play-along to! Contents: Trad: De-Sul Vyttyn (Cornish) Trad: The New Rigged Ship (Scottish) Trad: Beth yw'r Haf i Mi? (Welsh) Trad: Tabhair dom do Lamh (Irish) Trad: Danse Macabre (Breton) Trad: The Atholl Highlanders (Scottish) Trad: Merci Megan (Welsh) Trad: The Forgotten Highland (Irish)

This book contains all the scales and arpeggios required for ABRSM’s Treble Recorder exams at Grades 1-5. It features all the new requirements from 2018, arranged in grade order.

ED21796 175 pieces from eight centuries for solo recorder

A Concise Method for the Bass in F and Great Bass in C

A Selection of Tunes for Treble Recorder

Soprano Recorder Solo Book ed Haas. Music from the 13th to 21st centuries.

A practical approach based on historical principles This tutor is based on the practice of continuo playing on lute, theorbo and baroque guitar as it is taught at the Schola Cantorum Basiliensis, as well as on the performing experience of the author.

ZO2100174 11 Movements from Bach's Violin Sonatas and Partias arranged for Alto Recorder Solo Frans Brüggen, who edited these ’11 movements from the Sonatas and Partias for Violin solo’ for Alto recorder, says about his work, that he created an ‘autograph facsimile’ of J.S.Bach’s original. It’s just a ‘subjective rendering of the text’; Brüggen didn’t add ‘editorial account’ or gave explanations. That’s why the recorder students have to come up ‘with a better version’ themselves. So it’s ‘studying material of high musical quality’ for every Alto recorder student.

Preface by Biordi: This book has been written for intermediate level viola da gamba students, as a working tool to assist them in their study of scales and arpeggios in every key, covering the instrument’s full extension. The scales and arpeggios develop over two, three or, when possible, four octaves. Some fingering has been included to allow the students to play in parts of the fingerboard rarely used, but of fundamental importance in the study of the more complex repertoire of this instrument. I decided it would be useful to include only the essential fingerings, although in particular cases fingerings have been added to make for easier reading. All position shifts have been indicated. Those notes without fingering are intended to be played without position changes until indicated. In the three-octave scales I used fingering that requires the use of a 4-4 position change, as often appears in Marin Marais’s works for viola da gamba.

Time Pieces for Treble Recorder is a two-volume anthology of well-crafted and idiomatic arrangements of music from the fourteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written so that you can map your journey through time!- invaluable source of further study and recital repertoire for Grades 1-5 - contrasting styles from Machaut to Britten and from Mozart to Kid Ory- arrangements that practise the note ranges and keys of the early grades.