Solo Recorder Sheet Music

Sonatas1-6

Accompanied & Solo Pieces for Descant & Treble Recorder

The original and still popular recorder method can be used by people of no great musical ability who may be unable to take a music lesson by means of any other medium and can thus discover music together with their pupils. Infact, the book takes no previous musical knowledge for granted. It contains a useful general introduction to music, and the various elementary technical difficulties of learning to play the recorder are dealt with in the text. Ideal for providing a first, thorough grounding in music and musicianship, complete with a repertoire of exercises and many popular tunes that will make progress fun!

Ornamentation & Embellishment in the late Baroque. Guidelines for modern performances. Features several examples of varying difficulty and ornamentation. This is a very comprehensive volume. Highly recommended. 1. Baroque Ornamentation 2. Musical Rhetoric 3. The Essential Graces 4. Ornaments 5. Trill Exercises 6. Free Ornamentation (Figures) 7. Guidelines for Interpretation 8. example: Handel Sonata Op. 1/11 9. Variation Figures 10. Extempore Variation Patterns 11. example: Handel Sonata Op. 1/2 12. example: Handel Sonata Op. 1/2 - exercises 13. example: Hanel Gavotte Op. 1/2 = Op. 4/3 14. example: Corelli Sonata Op. 5/9 15. example: Finger, A Ground by Mr Finger 16. example: Finger, Finger Ground Figures 17. example: Telemann, Sonata 1ma 18. example, Handel, Fitzwilliam Sonata in d 19. Bibliography

All the supporting scales, arpeggios and exercises required for the supporting tests for Trinity College London Recorder Exams (Initial - Grade 8)

Hat Box is a celebration of the town of Stockport, home to recorder virtuoso John Turner, to whom (with guitarist Neil Smith) this piece is dedicated. Stockport was formerly the centre of the hat-manufacturing industry, and gave its name to the hymn-tune Stockport written by 18th century Stockport organist John Wainwright for the carol Christians awake, salute the happy morn. The eight hats depicted in this suite refer to phrases from Wainwrights famous tune. Contents Top Hat Quadrille Breton Beret - valse melancolique Mexican Hat Dance Smokey Stetson Shuffle Deerstalkers Jig Baseball Cap Stomp Best Bonnet Waltz Cloth Cap Galop

A Joplinesque Ragtime and Latin-American Bossa Nova, both for descant, frame a lazy Blues on the treble. All 3 movements require an assured technique but are rewarding for both performers. The recorder part can be taken by a flute or other melody instrument, and the guitar part is published with an alternative version for harpsichord or piano. Contents Ragtime Blues Bossa Nova

A collection of varied pieces (in English "Division" or "Ground") that were widespread in England in the late 17th century. These bravura pieces were originally written for violin, but with the growing popularity of the recorder, pieces were soon published for recorder as well. This edition is based on a collection published in 1706 and the piano accompaniment (basso continuo) for the pieces was written by Andreas Habert and Michael Reidick. The book include the piano accompaniment plus a pull-out part for alto (treble) recorder and basso continuo (violoncello, double bass, etc.)

ZO2100177 Four of Bach's Violin Sonatas arranged for Alto Recorder and Harpsichord Contents: Sonata in D Minor (BWV 1014) Sonata in F Major (BWV 1016) Sonata in D Minor (BWV 1017) Sonata in B Flat Major (BWV 1019)

Ghaetta; Cominciamento di goia; Isabella; Tre Fontane; Salterello; Trotto; Salterello

Telemann's famous 12 Fantasias for flute arranged for alto recorder. TWV 40:2-13

The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Recorder by French wind specialist, Jean-Claude Veilhan. Bach originally composed the Cello Suites, some of the most frequently performed and recognised solo compositions ever written for the instrument, during the period 1717-1723, when he served as Kapellmeister in Köthen. The second volume of Veilhan 's adaptions for Recorder contains suites four, five and six and includes phrase marks, dynamic markings, articulation, breath marks, and performance directions. Veilhan 's adaptions are flawless, making the notorious Suites enjoyably accessible to the Recorder.

OFB122 3 Venetian sonatas from around 1600 complied and edited for descant (or tenor) recorder and continuo by Hans-Martin Linde. Contents: G. Frescobaldi: Canzona detta La Bernardinia D. Castello: Sonata Prima G. B. Fontana: Sonata Prima