Kobliczek

Kobliczek gig bag for Great Bass

Based on a historical model of 5 fixed pipes g '', a '', b '', c '', d '' (for the 'Magic Flute' by W.A. Mozart). The individual pipes have tuning sliders so that the pitch can be adjusted for any orchestral requirements.

This Praetorius model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Praetorius recorders are more ornate in turning and are suited to playing late Renaissance and early baroque music. Made from stained maple, this recorder has excellent intonation over a full two octave range. This recorder has single holes but uses standard baroque fingering. This alto recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This Praetorius alto (in F) is in 2-pieces.

This Praetorius model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Praetorius recorders are more ornate in turning and are suited to playing late Renaissance and early baroque music. Made from stained maple, this recorder has excellent intonation over a full two octave range. This recorder has single holes but uses standard baroque fingering. This G-alto recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This Praetorius alto (in G) is in 2-pieces.

This Praetorius model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Praetorius recorders are more ornate in turning and are suited to playing late Renaissance and early baroque music. Made from stained maple, this recorder has excellent intonation over a full two octave range. This recorder has single holes but uses standard baroque fingering. This garklein recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart.

This Praetorius model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Praetorius recorders are more ornate in turning and are suited to playing late Renaissance and early baroque music. Made from stained maple, this recorder has excellent intonation over a full two octave range. This recorder has single holes but uses standard baroque fingering. This sopranino recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This Praetorius sopranino is in 2-pieces.

This Praetorius model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Praetorius recorders are more ornate in turning and are suited to playing late Renaissance and early baroque music. Made from stained maple, this recorder has excellent intonation over a full two octave range. This recorder has single holes but uses standard baroque fingering. This soprano recorder is supplied in soft case with cork grease, cleaning rod and fingering chart. N.B. This Praetorius soprano is in 2-pieces.

This Praetorius model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Praetorius recorders are more ornate in turning and are suited to playing late Renaissance and early baroque music. Made from stained maple, this recorder has excellent intonation over a full two octave range. This recorder has single holes but uses standard baroque fingering. This tenor recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This Praetorius tenor is in 2-pieces.

Kobliczek flute renaissance alto in g. The Kobliczek workshops under the guidance of Christoph Hammann produce a range of renaissance flutes in stained pearwood. This alto in g is in two pieces.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. This alto recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This renaissance alto (in F) is in 2-pieces.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. This G-alto recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This renaissance alto (in G) is in 2-pieces.

Kobliczek flute renaissance bass in G. The Kobliczek workshops under the guidance of Christoph Hammann produce a range of renaissance flutes in stained pearwood. This bass in G is in two pieces.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. There is a bottom single key for F, styled with a double prong and hidden by a fontanelle, as were the originals. This bass recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. This garklein recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. Listen to this recorder! Holborne Wanton: Your browser does not support the audio element. Dowland Can She Excuse My Wrongs: Your browser does not support the audio element. Scale: Your browser does not support the audio element.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. There is a bottom single key for C styled with a double prong and hidden by a fontanelle, as were the originals. This Gt bass recorder is supplied in a hard case with cork grease, cleaning rod and fingering chart.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. This sopranino recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart.

Kobliczek flute renaissance soprano in d. The Kobliczek workshops under the guidance of Christoph Hammann produce a range of well made renaissance flutes in stained pearwood. This soprano in d' is in one piece.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. This soprano recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This renaissance soprano is in 2-pieces.

Kobliczek flute renaissance tenor d. The Kobliczek workshops under the guidance of Christoph Hammann produce a range of renaissance flutes in stained pearwood. This tenor in d is in two pieces.

This renaisssance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. This tenor recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart. N.B. This renaissance tenor is in 2-pieces.

This Renaissance model is based on drawings taken from 'Syntagma Musicum' (1618) by Michael Praetorius. Kobliczek recorders are made by German maker Christoph Hammann and his team. These Renaissance recorders have large cylindrical bores which produce a characteristically strong tone. Made from stained maple, this recorder has excellent intonation over a full two octave range. This renaissance recorder has single holes but uses standard baroque fingering. There is a bottom single key for C, styled with a double prong and hidden by a fontanelle, as were the originals. This tenor recorder is supplied in a soft case with cork grease, cleaning rod and fingering chart.