Cip

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The alto has a chromatic scale with a range of a 9th and a bottom note of F. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The alto has a chromatic scale with a range of a 9th and a bottom note of F. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The bass has a chromatic scale with a range of a 9th and a bottom note of F. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Cip 4 part Bohemian bagpipe d. This ancient folk instrument is played in most of Bohemia's bagpipe regions, and also in the neighbouring areas of Austria and Germany. The chanter has 7 finger holes enabling the playing (in closed fingering) of a typical Central European bagpipe scale, the range of which is an incomplete ninth. The drone is tuned two octaves below the basic tone of the chanter. The pipes have a cylindrical bore and the air reservoir is made from goatskin (with hair). Tuning: E flat major (Scale: Bb-d-eb-f-g-a-bb-c1)

Cip bladder pipe in c 1 octave. An authentic bladder pipe made by Czech maker Pavel Cip. This is a reconstruction of an extinct woodwind instrument, testified by many iconographic and literary sources. The instrument has a windcap, which at the same time serves as an air reservoir, allowing a continuous tone during playing. The original instrument would have been made with a tanned pig's bladder but the reproduction has a bag made from fine leather. The instrument is furnished with a single reed and it has a diatonic scale with a range of a ninth. Key: C major (Scale: c - d1; a1 = 440 Hz). Simple model, no drone. Click here:- Cip Bladder Pipe Fingering Chart

Cip bladder pipe in c with drone. An authentic bladder pipe made by Czech maker Pavel Cip. A reconstruction of an instrument after an illustration in the 13th century Spanish manuscript "Cantigas de Santa Maria". Its diatonic scale has the range of a ninth. The accompanying drone sounds in the same octave as the melody pipe, but can be tuned one tone higher to enable playing in a Dorian or minor key.Key: C major (Scale: c - d1, Drone: c / d; a1 = 440 Hz). Model with drone. Click here:- Cip Bladder Pipe Fingering Chart

Cip Soprano Chalumeau in C - replacement mouthpiece - plastic mouthpiece only

Soprano chalumeau in C by Czech maker Pavel Cip - a single reed, keyless instrument made from solid wood using a modern clarinet mouthpiece and supplied with a metal cap for protection of the reed. Supplied with Eb clarinet reed, metal cap and cloth bag. Fingering Chart: Soprano chalumeau in C

Soprano chalumeau in C by Czech maker Pavel Cip - a single reed, keyless instrument made from solid wood using a modern clarinet mouthpiece and supplied with a metal cap for protection of the reed. Supplied with Eb clarinet reed, metal cap and cloth bag. Fingering Chart: Soprano chalumeau in C

Czech maker Pavel Cip Cornamuse - a renaissance double reed instrument with windcap. The narrow cylindrical bore gives it a gentle chamber tone and if the damper (bell cover) is removed the sound becomes louder. Made from solid wood - stained maple, tuned A440 and available in three sizes, soprano, alto and tenor. Available in three sizes: Cip Soprano Cornamuse in C - without key (c1 - d2) Cip Alto Cornamuse in F - 1 key (f - a1) Cip Tenor Cornamuse in C - 2 keys (c - f1) Sound File: Soprano, Alto & Tenor (played together) For more details or information, please do not hesitate to contact us. Email: sales@earlymusicshop.com Tel: 0044 (0) 1274 288100

Czech maker Pavel Cip Cornamuse - a renaissance double reed instrument with windcap. The narrow cylindrical bore gives it a gentle chamber tone and if the damper (bell cover) is removed the sound becomes louder. Made from solid wood - stained maple, tuned A440 and available in three sizes, soprano, alto and tenor. Available in three sizes: Cip Soprano Cornamuse in C - without key (c1 - d2) Cip Alto Cornamuse in F - 1 key (f - a1) Cip Tenor Cornamuse in C - 2 keys (c - f1) Sound File: Soprano, Alto & Tenor (played together) For more details or information, please do not hesitate to contact us. Email: sales@earlymusicshop.com Tel: 0044 (0) 1274 288100

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The sopranino has a chromatic scale with a range of a 9th and a bottom note of F. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The soprano has a chromatic scale with a range of a 9th and a bottom note of C. This gemshorn is pitched at a=415, commonly known as Baroque pitch. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The soprano has a chromatic scale with a range of a 9th and a bottom note of C. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The sub-bass has a chromatic scale with a range of a 9th and a bottom note of C. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The tenor has a chromatic scale with a range of a 9th and a bottom note of C. This gemshorn is pitched at a=415, commonly known as Baroque pitch. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!

Czech maker Pavel Cip produces an extremely well made series of gemshorns which are processed and polished very carefully. The block is made of water resistant cedar. The tenor has a chromatic scale with a range of a 9th and a bottom note of C. The gemshorn was in use in the 15th century (there exists an organ stop of that name) and was primarily a pastoral instrument, not widely known after the mid-to-late 1500s until the resurgent interest in early music in the 20th century. The gemshorn is an early form of recorder, made of a cow horn with a fipple inserted at the wide end. It has an incredibly sweet sound due to the conical shape of the horn and has a range of one octave. The name comes from the German "chamois" horn, but the early history not well known, the oldest known illustration of one being seen in Musica Getutscht (1511), by Virdung. N.B. Due to the nature of these instruments each one will have a different appearance depending on the horn used!