hello@earlymusicshop.com
hello@earlymusicshop.com
Course director Helen Hooker, who is also a skilled photographer, has contributed this fantastic visual diary of the week-long course, offering a unique insight into the opportunities available, and their setting. Helen writes:
A week at the Recorder Summer School 2024
Almost every year since 1948 the Recorder Summer School has gathered somewhere in the UK for a week of music making. This year almost 130 recorder players met at Bishop Burton College, near Beverley, Yorkshire and today for Recorder31 we bring you a glimpse behind the scenes.
Our tutors this year were Tom Beets, Sandra Foxall, Helen Hooker, Sarah Jeffery, Annemarie Klein, Miriam Monaghan, Bart Spanhove, Anna Stegmann, Philip Thorby and Moira Usher. The team led us through a vast array of music, from medieval to the present day – everything from solo repertoire to large scale pieces played by all the students together. Alongside ensemble playing there are tutorial classes and sessions on specific topics. Some cover music by specific composers, while others explore musical genres (for instance Pop, Jazz and Film) or periods from history, such as the Tudor Century or the World of Baroque Opera. Throw in three different recorder orchestras, classes on music theory, conducting and double tonguing and you truly have something for everyone!
To learn more about the Recorder Summer School and join our mailing list for the 2025 course please click here.
Sarah Jeffery shared her passion for Handel’s Zadok the Priest with us, in a performance Handel would probably never have imagined possible!
When our concert performers sadly had to withdraw at the last minute due to injury, some lateral thinking was required to fill the gap. The result was an impromptu performance of Steve Marshall’s Concertino No.3, which Tom Beets performed with great aplomb (despite having only seen it for the first time three days earlier!), accompanied by the massed course members, conducted by Helen Hooker.
Some of the afternoon sessions are given over to ensemble playing, directed by the tutors – in this case Bart Spanhove.
One can never have too much recorder music and the well stocked Recorder MusicMail shop offered lots of opportunities for browsing.
Bishop Burton College has the most beautiful walled gardens – the perfect place to escape for a little quiet time, away from the music.
As the day draws to a close, the students meander back to the dining room for sustenance before the evening’s tutti playing session.
When Anna Stegmann’s evening massed playing session included samba music, course Administrator, Josée Beeson, was called upon to play the whistle!
Among the perpetual music, there’s always time for a quiet moment, catching up over a cuppa.
A bird’s eye view from the contrabass section, as Philip Thorby led us through Marenzio’s three choir version of Super flumina Babylonis.
On the final morning everyone gathered together to share their musical experiences from the week, before we all headed for home. Here Mirian Monaghan is leading her class through music by Soren Sieg.
All photographs taken by Helen Hooker. To find out more about Helen's work, please click here for her recorder playing and teaching, and please click here for her photography.
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The Yamaha Tenor Recorder in Maple is a very lightweight instrument with a soft tone which blends very well in ensemble contexts. The double key makes the stretch easier for players, and the recorder is supplied in a high-quality hard case. Listen to the clips below or follow this link to find out more about this instrument.
Dowland Frog Galliard:
Dowland Lachrimae Pavan:
Scale:
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