Girolamo

Divisions on "La Follia" from the Sinfonie di varii Autori manuscript for Alto Recorder and Continuo.

Sonatas 1 and 2 from Pietro degli Antonii's Opus 5 arranged for Alto Recorder and Continuo.

Sonatas 10 and 12 from Pietro deglli Antonii's Opus 4 arranged for Alto Recorder and Continuo. Sonata 10 in C Major (original A Major) Sonata 12 in F Major (original E Major)

Sonatas 2 and 4 from Pietro deglli Antonii's Opus 4 arranged for Alto Recorder and Continuo.

Sonatas 4 and 7 from Pietro degli Antonii's Opus 5 arranged for Alto Recorder and Continuo.

A contemporary arrangement for recorder duet (AA) and continuo of the arias and duets from Bononcini's "Il Trionfo di Camilla". The draft of this edition is an undated print by Walsh & Hare London consisting of three part-books with the title: A Collection of the Song Tunes the Duets and Ariets in the Opera of Camilla Contrived and Fitted for two Flutes and a Bass by Mr. Ramondon

Deuxieme Suite de Pieces by Michel de la Barre arranged for 2 alto recorders. Fantaisie Allemande Allemande Contrefaiseurs Rondeau Gavotte en Rondeau Gigue Bourée en Rondeau

Premiere Suite de Pieces by Michel de la Barre arranged for 2 alto recorders. Allemande Fantaisie Fantaisie Fugue Rondeau Gigue Double de la Gigue Musette

Charles Dieupart's Cinquieme Suite in F arranged for Soprano (or Tenor) Recorder.

Charles Dieupart's Premiere Suite in G arranged for Soprano (or Tenor) Recorder.

A solo and piano reduction edition of Nicola Fiorenza's Concerto in A Minor for Alto Recorder, 2 Violins and Continuo.

Giovanni Battista Fontana's Sonata Sesta Decima arranged for 3 Recorders (SSA) and Continuo.

A Fantasia for Csakan by Ernest Krähmer that works well on a soprano (or alto) recorder.

Volume 1 of Matthew Locke's "For Several Friends" consisting of Suite 1 in G and Suite 2 in Bb Major for soprano (tenor) recorder and continuo.

Volume 2 of Matthew Locke's "For Several Friends" consisting of Suite 3 in D and Suite 4 in E Minor for soprano (tenor) recorder and continuo.

Volume 3 of Matthew Locke's "For Several Friends" consisting of Suite 4 in F Major and Suite 6 in A for soprano (tenor) recorder and continuo.

Volume 4 of Matthew Locke's "For Several Friends" consisting of Suite 7 in C and Suite 8 in D Minor for soprano (tenor) recorder and continuo.

A contemporaneous arrangement of Rossini's Opera Melodies for 2 Flageolets by C. Eugène Roy. These pieces play well on soprano or tenor recorders and make delightful short concert pieces. No. 1 – La gazza ladra (The Thieving Magpie), 1817 Introduction to the 1st Act (orchestra) with subsequent chorus Oh che giorno fortunato and Pippo's entrance No. 2 – Otello (Othello), 1816 1st Act, duet Desdemona – Emilia Vorrei che il tuo pensiero No. 3 – Il barbiere di Siviglia (The Barber of Seville), 1816 1st Act, Count Almaviva's cavatina Ecco ridente in cielo No. 4 – La gazza ladra 1st Act, Ninetta's aria Di piacer mi balza il cor No. 5 – Marche Triomphale d'Otello (Triumphal March from Othello ) Instrumental piece from the end of the introduction to the 1st Act No. 6 – L'italiana in Algeri (The Italian Girl in Algiers), 1813 1st Act, duet Lindoro – Mustafà Se inclinassi a prender moglie No. 7 – Tancredi, 1813 Finale to the 2nd Act, tutti Fra quei soavi palpiti No. 8 – Il barbiere di Siviglia 1st Act, Rosina's aria Io sono docile

24 little duets for flageolets by C. Eugène Roy that work perfectly on soprano or tenor recorders.

Domenico Sarri's Sonata Terza for Alto Recorder published in the Sinfonie di varii Autori manuscript.

A modern arrangement of the 12 Fantasias for Viola da Gamba by Telemann for the Alto Recorder.

Two pieces by Francesco Turini arranged for 2 soprano (or tenor) recorders and continuo.

2 Sonatas from the Sinfonie di varii Autori manuscript for Alto Recorder and Continuo. Valentini: Sonata Dreyer: Sonata

Eight English Songs from around 1600 for soprano (tenor) recorder or voice and continuo. Sleepe, sleepe, though greife torment (Anonymus) Ay mee (Anonymus) Come you prettie (Thomas Campion?) I care not for those ladies (Thomas Campion) As on a daie Sabina fell asleepe (Anonymus) I love a love that loves not mee (Anonymus) Flowe my teares (John Dowland) Yf my complaintes (John Dowland)