Alphonse Leduc

Sonata for Treble Recorder by Carl Philipp Emmanuel Bach, originally for flute.

Bach's 15 Inventions (BWV 772-786) arranged for Recorder Duet (AT).

Bach's 15 Sinfonias arranged for Recorder Trio (ATB) - Volume 1.

Bach's 15 Sinfonias arranged for Recorder Trio (ATB) - Volume 2.

Bach's Violin Sonatas & Partitas arranged for Treble Recorder Solo by J.C. Veilhan - Volume 2. Contains 3 Partitas: BWV1002, BWV1004 and BWV1006.

Sicilienne from Bach's Sonata BWV1031 arranged for Alto Recorder and Keyboard

Arrangements of J. S. Bach's Toccata and Fugue (BWV 565) and Fantasia Chromatica

A selection of J.S Bach's pieces for Alto recorder. Includes preludes, exercises, toccatas and fantasias.

20 Etudes after Bach for Alto Recorder by Roger Bernolin.

Australian born Nicolas-Charles Bochsa (1789-1856) studied at the Paris Conservatoire before embarking upon a career as a harpist and composer. His Celebrated Studies for Harp is well-informed and essential to progression on the instrument. The first volume comprises exercises which focus on fingering, countermelodies, rhythms, intervals, chords, articulation, phrasing, chromaticism, dynamics and performance directions, among other musical aspects. Celebrated Studies for Harp by Nicolas-Charles Bochsa is essential to accompany all Harp studies.

Australian born, Nicolas-Charles Bochsa (1789-1856) studied at the Paris Conservatoire before embarking upon a career as a harpist and composer. His Celebrated Studies for Harp, 40 Easy Studies is well-informed and essential to progression on the instrument. The second volume comprises 40 easy exercises which focus on fingering, countermelodies, rhythms, intervals, chords, articulation, phrasing, chromaticism, dynamics and performance directions, among other musical aspects. Celebrated Studies for Harp by Nicolas-Charles Bochsa is essential to accompany all Harp studies.

This book is the first volume of Famous Studies For The Harp – Fifty Studies, Op. 34 by Nicolas-Charles Bochsa was dedicated to J.B. Cramer. Edited and arranged according to Hasselmans’ methods by R. Martenot, it features the studies 1 to 25 for intermediate Harp players and above. This volume is followed by a second book including the studies 26 to 50. Nicolas-Charles Bochsa (1789-1856) was a musician and composer able to play the Flute, the Piano and the Harp. He became the harpist of the Imperial Orchestra but had to move to London where he was one of the founders of the Royal Academy of Music.

Interlude for one recorder player using a soprano and alto recorder by Eugene Bozza.

Piece de Concert, Op. 32 for Harp by Henri Büsser.

Suite No. 1 from Francois Couperin's Pieces de Viole for Viola da Gamba and Continuo.

Suite No. 2 from Francois Couperin's Pieces de Viole for Viola da Gamba and Continuo.

4 Méditations for soprano recorder or tenor recorde by Ulrich Dalm.

Suite in the Old Style for Alto Recorder Solo by Pierre Max Dubois. Prélude; Sarabande; Courante; Gavotte I; Gavotte II; Bourrée; Menuet; Bransles; Gigue.

Two Ballades for Harp by Eugene Goossens.

French born harpist and composer, Marcel Grandjany (1891-1975) studied at the Paris Conservatoire before spending much of his working life in America. His Trois petites Pièces were composed in Grandjany 's early career and are simple and enjoyable works, suitable for beginner harpists. Grandjany was a teacher of Harp at the Julliard School for 37 years whilst also composing and transcribing many works for the instrument. Made up of three movements, Trois petites Pièces begins with a delicate Rêverie (daydream). The second piece, a Nocturne, contains variations in tempo, time signature and dynamics. The Barcarolle third movement is the most challenging of the three pieces, accommodating the key of G? major, 6/8 time signature and semiquaver flourishes. All these combined aspects of Trois petites Pièces by Grandjany make for a thrilling performance for beginner harpists.

Op.1, No.2, No.4, No.7 and No.11 for alto recorder and basso continuo.

Passacaille is a piece for advanced harpists, composed by G. F. Handel and edited by Tiny Béon. Really melodic, it has a main theme reviewed in 14 variations and includes many chords, crossing hands, staccatos and some natural harmonics. The tempo varies between Moderato, Animato and Tranquillo. This piece for pedal harps would be perfect for a recital or a contest.

36 very short, easy pieces for Descant Recorder.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, Six Pieces for Harp being no exception. Composed in 1916-1917, Six Pieces for solo Harp is suitable for advanced level harpists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted, often reflecting the composer's wit and humour. The second movement of Six Pieces, Scherzetto reflects the composer's humoresque and quirky nature. Containing a variety of musical aspects and techniques, Ibert 's Scherzetto from Six Pieces is an exciting addition to the advanced level Harp repertoire.