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Recorder31 Day 25 | Instrument Giveaway: Mollenhauer Kynseker G Alto

Recorder31 Day 25 | Instrument Giveaway: Mollenhauer Kynseker G Alto

Every year during Recorder31 we run a very special prize-draw – one lucky reader will be in with a chance of winning a fabulous new instrument to add to their collection. With thanks to our supporter Mollenhauer, we have a very special recorder to offer in today's giveaway.

WIN a new Mollenhauer Kynseker G Alto Recorder in Plumwood

Courtesy of Mollenhauer, we are delighted to have a Kynseker G Alto recorder in stunning European Plumwood to give away! This instrument, modelled on a 17th Century design, is perfect for renaissance or early baroque consort music as well as solo music from early and modern periods. 

To enter, simply follow the below steps (or head to our social media to enter there!):

  1. Ensure you are signed up to our mailing list. (If you aren't already, sign up here!)
  2. Comment on this blog post telling us your (current) favourite piece of music from the 17th Century.

Enter by 23:59PT on Monday 31 August 2026 to be in with a chance of winning. The winner will be chosen at random from all eligible entries. For full T&Cs please see the bottom of this webpage.

About the prize

Mollenhauer Kynseker Alto Recorder in G Plumwood

The Mollenhauer Kynseker G Alto offers a full renaissance sound with much character and depth, baroque fingering, and a range of two octaves.

The production of a complete consort of recorders after the design by Hieronymus F. Kynseker (1636-1686), in the German National Museum in Nuremberg, is perhaps one of Mollenhauer’s finest achievements. Faithful to the originals, the instruments have a narrow arched windway, a strong sound that is particularly noteworthy in the lower register and a full two octave range using fingering similar to the baroque system.

The G Alto offers a wonderfully warm tone suitable for Renaissance and early Baroque solo repertoire as well as being ideal for consort playing and other styles such as folk music.

The recorder comes supplied with leather bag, mop, fingering chart and maintenance instructions.

Our huge thanks to Mollenhauer for their continued support of Recorder31 and for enabling us to offer this wonderful prize.

Click here, or on the image below to discover all Mollenhauer Kynseker recorders available through The Early Music Shop – available from garklein to great bass in stained maple and plumwood.

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Today’s giveaway features a captivating historic design: the Mollenhauer Kynseker Alto in G, crafted from beautifully figured plumwood.

Modelled on the late 17th-century instruments by Hieronymus F. Kynseker, this model sits right at the transition between Renaissance and Baroque styles. Pitched in G, it offers a distinct, warm vocal range that breathes new life into early 17th-century solo repertoire and ensemble scoring.

As you listen, notice the wide, flexible bore profile in action. Plumwood gives the instrument a remarkably sweet, dark timbre with a velvety smoothness across all registers. The pitch in G provides a slightly higher, central placement that fills out Renaissance diminutions and early Baroque sonatas with a singing, noble presence.

Listen to this recorder! 

Anon Saltarello:

Van Eyck Nightingale:

Scale:


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Prize Draw Terms & Conditions

  • Entries must be submitted by midnight (PT) on Monday 31 August 2026.
  • Entries may be submitted by following the instructions on this website, or on The Early Music Shop's social media channels on Facebook, TikTok, and Instagram. Entrants may use more than one platform to record multiple entries if they wish.
  • The prize recorder is available to one winner only, and is not able to be exchanged for any cash alternative or replacement prize. The winner will be determined at random from all eligible entries and notified on the platform on which they entered; they will be asked to email The Early Music Shop in order to claim their prize.
  • The Early Music Shop will never contact entrants via social media asking for bank information or payment details. Please do not give any such information to anyone contacting you on social media. We will be monitoring this prize draw closely for spam comments and invite anyone concerned about anything they have received to email us on recorder31@earlymusicshop.com
Previous article Recorder31 Day 26 | Live Music from Loom (+ A Spotlight on our Informal Recital Series)
Next article Recorder31 Day 24 | Van Eyck Competition

Comments

Giu - August 29, 2026

Rondeau (No. 2 from Abdelazar) Henry Purcell

Meng-Ling, Chiang - August 29, 2026

Fonata: Sonata Terza. My favorite.

Sietske de Groot - August 29, 2026

My favourite piece (currently) of the 17th century is Purcell’s Chaconne “Two in One Upon a Ground”. You can play it with so many different combinations of instruments, and in so many ways. It always pleases, whether you wallow in its sound or give it more definition.

Irene Claude - August 29, 2026

How about the sumptuous “Lagrime Mie” by Barbara Strozzi!

mary farris - August 29, 2026

I never get tired of Dowland’s Lachrimae- especially Lachrimae Antiquae…. but if that’s too borderline (between composition vs publication date) to count as 17th century- I’ve just discovered Andrea Falconieri’s Corriente dicha la Cuella…. great fun!

Anna - August 28, 2026

“Doen Daphne d’over schoone maeght” Jacob Van Eyck

Ros - August 28, 2026

La Bergere (Der Fluyten Lust-hof)

AD - August 28, 2026

Lavolette n.130, Der Fluyten Lust-Hof

Florence - August 28, 2026

Henry Purcell’s Chaconne, Two in One upon a Ground, from Dioclesian

Keoni Dean - August 28, 2026

My favorite piece from the 17th century has to be “Can She Excuse My Wrongs” by John Dowland. I played this in my school’s Early Music Ensemble and it has been one of my favorite songs of all time ever since. I love the vibes of the lyrics, and that for those who were not as interested in early music as I was I could explain that we were playing “ye olde breakup song”.

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