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Louis Couperin – Pièces de clavecin

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Original price £48.00 - Original price £48.00
Original price
Current price £48.00
£48.00 - £48.00
Current price £48.00
SKU LBMP–035

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Edited by Jon Baxendale

  • A handsome edition available in hardback and wire-bound volumes
  • The first complete edition of Louis Couperin’s harpsichord pieces since 1985
  • The only commercially available edition
  • Full preface and commentary that discusses the composer, genre and aspects of performance style that includes ornamentation, notes inégales and playing the preludes

 

Louis Couperin is one of the most erudite composers of seventeenth-century France. Uncle to François, he moved to Paris in c. 1650, became a viol player at the court of Louis XIV and was appointed organist at the important church of Saint-Gervais in 1653, only to die an untimely death in 1661. His legacy as a harpsichord composer cannot be overstated: his so-called préludes non mesurés, which are unbarred and contain no rhythm, have been baffling performers since Couperin was ‘rediscovered’ in the early twentieth century; the dances are bold and innovative and display a variety of influences that include lute music and the composers Johan Jacob Froberger and Girolamo Frescobaldi.

This is the first complete edition of Couperin’s harpsichord pieces since 1985. It uses the two most important French collections of seventeenth-century keyboard music as its principal sources, the Bauyn and Parville manuscripts. In a lengthy preface, editor Jon Baxendale takes a detailed look at the sources and the music and provides notes on performance, including a comprehensive look at the preludes and their interpretation.

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            JW
            22/11/2022
            John W.
            United Kingdom

            Pieces de Clavecin (Lyrebird)Louis Couperin.

            I now have quite a collection of Lyrebird publications and they all contain most thorough nay academic introductions.The quantity of compositions surprised me for a man who lived a comparatively short life.Since reading more about 17c French ***** and harpsichord music these past two years it is surprising the free style in which some composers wrote.I cite the first few compositions in Pieces de Clavecin where there are no bar lines,signs of ornamentation nor note values.The instrumentalist is totally `ad libertum` to choose their own speed and add ornaments to suit.A must purchase for both students and advanced instramentalists.

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