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The Primo Libro a due voci of Bernadino Lupacchino ( Dal Vasto , as one of the title pages has it) and Joan Maria Tasso was one of the most often reprinted collections of the sixteenth century. At least nine editions from before 1600 have survived, and the title page of the earliest of these, which was published by Antonio Gardane of Venice in 1559, suggests that there might have been a previous edition. What is more, there were at least eleven reprints in the seventeenth century, and even one as late as 1701. During the first fifty years of the period covered by the many reprints, no less than six different printers, including one of Milan, a city not especially noted for music publishing (the vast majority of north Italian editions appeared in Venice), thought it worthwhile to issue these duos. In 1565 an expanded edition of the collection appeared, with some vocal pieces, and six of the duos were included in the large anthology of two-part music published by Pierre Phalèse and Jean Bellère of Antwerp in 1590. The original collection consists of thirty-nine pieces in all, thirteen by Lupacchino and fifteen by Tasso, and eleven very short numbers that were presumably put in just to fill up available space. 2 part (AT) Print format: playing score

5 Course Medieval Lute by Marco Golinelli, including hard case. Model: de Zwolle Vibrating length: 520 mm Shell: 9 ribs, Italian cypress Soundboard: Fiemme Valley spruce Rosette: Own model Bridge: Pearwood, Italian walnut top Neck: Italian cypress Pegbox: Italian cypress Pegs: Boxwood Nut: Natural bone Varnish: Oil based Strings: Pyramid Hard case: RCH Marco Golinelli attended City Lutherie School in Milan studying the construction of musical instruments with master luthiers Tiziano Rizzi and Lorenzo Lippi and musical instruments restoration with master luthier Gabriele Negri where he specialized in building instruments of the lute family as well as early guitars and mandolins. Since 2001 he started working together with Stefano Zanderighi, a project that would eventually led to the birth of the Liuteria d’Insieme workshop in 2003. His work is characterised by great care in researching on original models and early building and painting methods. The instruments he builds are distinguished by their great fidelity to original models without losing sight of building details and characterised by a rich and dynamic sound.

To crown Corelli's oeuvre, a collection of 12 concerti grossi – his opus 6 – was published in 1714 by the Amsterdam publisher Estienne Roger, which soon became known throughout Europe and inspired many composers to write similar works.

PO ref. PO1413S Aura Conservatorium Soprano Recorder in Grenadilla (Previously Owned) in excellent condition and with original case. Fully serviced and revoiced by our in-house technician prior to despatch. For more details about this or any other Previously Owned instruments, please do not hesitate to contact us.

PO Ref. PO1412S Moeck 239 Rottenburgh Alto Recorder in Maple (Previously Owned) in excellent condition with case. Fully serviced and revoiced by our technician. For more details about this or any other Previously Owned instruments, please do not hesitate to contact us.

PO Ref. PO1411S Moeck Tuju Direct Blow Bass Recorder in Maple with double key (Previously Owned), in excellent condition with case. Fully serviced and revoiced by our technician. For more details about this or any other Previously Owned instruments, please do not hesitate to contact us.

Judith Weir's 'Some Simple Sonatas' for clavichord (or harpsichord, or pianoforte) contains four short movements - total duration c. 4.5 minutes. The work was commissioned by Gill Graham for her dear friend Chris Butler's 60th Birthday. Published 2023.

In all music there is a fine balance and interaction between predictability and surprise, repetition and variation, familiarity and novelty. Some music inclines more in one direction, and some in the other. But throughout musical history runs a thread of "circular music", music based entirely on a repeated pattern of some sort, whether that pattern be a repeated melodic line around which is woven other material, a repeated harmonic progression on which melodic variation is improvised or composed, or an entirely circular canon – i.e. a round which returns to the beginning when it reaches the end. Pellingmans' Saraband explore three main areas of circular music: firstly, divisions on grounds (i.e., variations on repeated harmonic progressions); secondly, with guest singers, songs which have grounds as their accompaniments; thirdly, canons and rounds, again with guest singers, by composers such as Thomas Ravenscroft. All of these types of circular music are represented on their album Twenty Waies Upon the Bels. Music by Thomas Robinson, John Johnson, Thomas Ravenscroft, Thomas Campion, Robert Smith, Nicholas Lanier and more. Jacob Heringman lutes Susanna Pell viols with Faye Newton soprano Edd Ingham tenor Giles Lewin baritone Christopher O'Gorman tenor John Potter tenor PS002 • Released 2016

A well-known recording artist with over 50 CDs to his credit, lutenist Jacob Heringman has received particular praise for his numerous solo recordings, all of which have been unique in the marketplace and have rightly earned Jacob his reputation for revealing undeservedly neglected repertoire from the renaissance era. The Art of the Lute Player contains Jacob’s personal selection of his favourite tracks from his acclaimed catalogue. Whilst catering to the specialist early music market, the CD’s widespread appeal is in its intimate, contemplative and relaxing mood. This disc contains music by Crecquillion, Bakfark, Arcadelt, Waissel, Milán, Gerle, Newsidler, Des Prez, Holborne, Mudarra and more. Jacob Heringman lute AV0011 • Released 2002

An elegant beech wooden music stand in the style of the Georgian period. The height and angle of the stand is fully adjustable. This period stand is a beautiful addition to any musician's home. Overall Max Height 157cm (124cm to music desk rest/shelf) Overall Min Height 117cm (85cm to music desk rest/shelf) Music Desk 51cm wide x 34cm high Weight 3.1kg (approximately)

An elegant mahogany wooden music stand in the style of the Georgian period. The height and angle of the stand is fully adjustable. This period stand is a beautiful addition to any musician's home. Overall Max Height 157cm (124cm to music desk rest/shelf) Overall Min Height 117cm (85cm to music desk rest/shelf) Music Desk 51cm wide x 34cm high Weight 3.1kg (approximately)

Acacia bows made by Coen Engelhard in the South of France from local Acacia wood ( Robinia pseudoacacia ), a sustainable alternative for the Brasilian hardwood normaly used for bow making. They are great sounding, high energy bows made from sustainable woods Round Acacia stick Clip-In frog Screw mechanism

Acacia bows made by Coen Engelhard in the South of France from local Acacia wood ( Robinia pseudoacacia ), a sustainable alternative for the Brasilian hardwood normaly used for bow making. Great sound – easy playing – high energy, local acacia wood = sustainable, reason Round Acacia stick Clip-In frog Screw mechanism