hello@earlymusicshop.com
hello@earlymusicshop.com
Stephen Robinson: My interest in keyboard instrument making began in the early 1960s when our church choir-master arranged a visit to the organ builders Jardine & Co, in Manchester. My main memory of this visit is watching components of the metal pipes being soldered.
SR: About five years later I started to build a four-stop chamber organ as a practice instrument for my father, under the tutelage of Michael Sefton, my woodwork teacher at school, who was a very keen and knowledgeable amateur organ builder.
SR: Not especially, but a tuning temperament of the correct period for the music being played does, I suggest, enhance the experience.
SR: Simply for a very practical reason - my current workshop is too small for harpsichord making!
SR: Two reasons. First, I liked the aesthetically pleasing bentside double curve of Hitchcock's spinets, and secondly, after making my first Hitchcock spinet I was really impressed with the sound it produced and so decided to continue with this model.
SR: Yes. Hitchcock spinets seem to have a fuller, richer sound compared to many continental spinets.
SR: I usually start by making the stand, though with the stand being a separate component it can be made at any stage. The turned legs are made on my lathe using a home-made copying attachment. This roughs out the shape which I finish using conventional lathe tools by hand. The main body of the instrument is made of European Poplar with a 1,5mm thick veneer of American Walnut on the outside. The same is true of the lid - no man-made boards are used anywhere on the instrument.
The keyboard is another 'separate' component which can be made at any stage of the construction. Until recently I used bone for the natural key coverings but it has become more difficult to obtain evenly white pieces so I now use an ivory substitute called Elforin which gives the keys a more uniform appearance.
Most of the materials are sourced in the UK and Germany but the top quality spruce for the soundboard I buy direct from a timber yard in Austria close the Czech border.
SR: No, but I can honestly say that despite my increasing age, my recent instruments are some of the best I have produced.
View and discover Stephen Robinson's Bentside Spinet after Hitchcock by clicking here.