{"title":"Solo Viol Music","description":"\u003cspan\u003eBrowse our large selection of solo viol music by viol, arrangement and\/or period. We are always adding new music and publications but if you can't find what you're looking for, or would like some advice please don't hesitate to contact our sheet music specialists in London!\u003c\/span\u003e","products":[{"product_id":"biordi-and-ghielm-complete-and-progressive-method-for-viol-volume-1","title":"Biordi and Ghielm: Complete and progressive Method for Viol - Volume 1","description":"\u003cp\u003e\u003cstrong\u003eUOEDM11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuring its climax, the viol had a reputation for being able to imitate the finest nuances of the human voice and express the deepest feeling of the soul. At the end of the XVIII century, as it was considered too difficult and aristocratic, it became obsolete with respect to the new standards prevailing during that pre-revolutionary period, and it was rapidly deposed by the cello. This last was promoted throughout the whole of Europe by some virtuosi, mostly Italian. And so also Wilhelm Friedrich II, king of Prussia, at first pupil (by correspondence) of Forqueray the son, passed later on to the cello, under the guidance of Duport.\u003c\/p\u003e\n\u003cp\u003eIn these last years the viol has found its splendour again, and its beautiful repertory, supported by some excellent musicians in concerts, recordings — even at the cine­ma — has obtained the recognition of the wide public and of certain institutions, which have included it in their teaching courses.\u003cbr\u003eThe teaching of the Ancients, mostly based on direct transmittion and on the imitation of the teacher, has left us only few treatises, often lapidary and adaptable with difficulty to our current didactic methods. Thus, the apprentices of viol, having to face up to the venture of referring to a tradition which was interrupted for two centuries, will certainly welcome this new method with satisfaction.\u003cbr\u003eIntentionally devoid of photos and commentaries, this method does not intend to replace the living example of the teacher, but provides, in the form of progressive exercises, an essential help to the development of a synthetic and personal technique on the instrument.\u003c\/p\u003e\n\u003cp\u003eMany countries have recognized since long time the advantages offered by the viol in approaching the pleasures of music at different levels:\u003cbr\u003e– the different sizes making up the viol family allows the child to grow up having the experience of a superb ensemble repertory;\u003cbr\u003e– its humble but essential support role in the basso continuo aids the understanding of the musical structure;\u003cbr\u003e– its solo repertory, covering a wide range of styles, contains pieces by composers of great genius.\u003c\/p\u003e","brand":"Ut Orpheus Edition","offers":[{"title":"Default Title","offer_id":7290623557694,"sku":"UOEDM11","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/dm011.jpg?v=1524742174"},{"product_id":"biordi-and-ghielmi-complete-and-progressive-method-for-viol-volume-2","title":"Biordi and Ghielmi: Complete and progressive Method for Viol - Volume 2","description":"\u003cp\u003e\u003cstrong\u003eUOEDM22\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDuring its climax, the viol had a reputation for being able to imitate the finest nuances of the human voice and express the deepest feeling of the soul. At the end of the XVIII century, as it was considered too difficult and aristocratic, it became obsolete with respect to the new standards prevailing during that pre-revolutionary period, and it was rapidly deposed by the cello. This last was promoted throughout the whole of Europe by some virtuosi, mostly Italian. And so also Wilhelm Friedrich II, king of Prussia, at first pupil (by correspondence) of Forqueray the son, passed later on to the cello, under the guidance of Duport.\u003c\/p\u003e\n\u003cp\u003eIn these last years the viol has found its splendour again, and its beautiful repertory, supported by some excellent musicians in concerts, recordings — even at the cine­ma — has obtained the recognition of the wide public and of certain institutions, which have included it in their teaching courses.\u003cbr\u003eThe teaching of the Ancients, mostly based on direct transmittion and on the imitation of the teacher, has left us only few treatises, often lapidary and adaptable with difficulty to our current didactic methods. Thus, the apprentices of viol, having to face up to the venture of referring to a tradition which was interrupted for two centuries, will certainly welcome this new method with satisfaction.\u003cbr\u003eIntentionally devoid of photos and commentaries, this method does not intend to replace the living example of the teacher, but provides, in the form of progressive exercises, an essential help to the development of a synthetic and personal technique on the instrument.\u003c\/p\u003e\n\u003cp\u003eMany countries have recognized since long time the advantages offered by the viol in approaching the pleasures of music at different levels:\u003cbr\u003e– the different sizes making up the viol family allows the child to grow up having the experience of a superb ensemble repertory;\u003cbr\u003e– its humble but essential support role in the basso continuo aids the understanding of the musical structure;\u003cbr\u003e– its solo repertory, covering a wide range of styles, contains pieces by composers of great genius.\u003c\/p\u003e","brand":"Ut Orpheus Edition","offers":[{"title":"Default Title","offer_id":7290626048062,"sku":"UOEDM22","price":29.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/dm022.jpg?v=1524742389"},{"product_id":"denti-anthological-method-for-viol","title":"Denti: Anthological Method for Viol","description":"\u003cp\u003e\u003cstrong\u003eUOEDM37\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe present Method, devised as an anthology divided into five sections, intends to help satisfy a need, felt by many, for texts for didactic use for the Viola da gamba. It is addressed to those students and teachers who want access to concise, guiding information about the most significant musical -literature dedicated to this instrument.\u003c\/p\u003e\n\u003cp\u003eThe selection of texts proposed here, conforming to the historical original versions both in the use of graphic symbols for embellishments and more generally with respect to the various styles and notational forms, is intended to aid in the study of the various complete compositions and the respective bibliographical panorama.\u003c\/p\u003e\n\u003cp\u003eThe original historical European pieces and treatises cited here were chosen from the Renaissance period on as those considered most useful for learning to play the instrument.\u003c\/p\u003e\n\u003cp\u003eBowings and fingering are given for the studies, the scales and arpeggios, as well as in all the -historical compositions which were without them.\u003cbr\u003e For didactic purposes the pieces in tablature are printed opposite transcriptions into mensural notation, while those with separate Bass parts are here given in score.\u003c\/p\u003e\n\u003cp\u003eThree tables are included summarizing the symbols for fingering, embellishments, dynamics and bowings, extracted from the \u003ci\u003eAvertissements\u003c\/i\u003e by M. Marais, as found in his five books of \u003ci\u003ePièces de Viole.\u003cbr\u003e \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThe scales, the arpeggios and some studies – for practical reasons – designate the strings by Roman numeral and are provided with a respective \u003ci\u003eLegend\u003c\/i\u003e.\u003cbr\u003e The musical portraits for two viols or viol and basso continuo – given here for didactic use and presented in order of difficulty – are dedicated to viola students and friends.\u003c\/p\u003e\n\u003cp\u003eIn the Appendix, for the study of the soprano viol in \u003ci\u003econcert\u003c\/i\u003e, three pieces in trio are provided.\u003c\/p\u003e","brand":"Ut Orpheus Edition","offers":[{"title":"Default Title","offer_id":7290658619454,"sku":"UOEDM37","price":38.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/dm037.jpg?v=1524745628"},{"product_id":"abel-6-sonatas-for-viol","title":"Abel: 6 Sonatas for Viol","description":"\u003cp\u003e6 Sonatas for Viol by Carl Friedrich Abel\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonata I in d minor\u003c\/li\u003e\n\u003cli\u003eSonata II in D Major\u003c\/li\u003e\n\u003cli\u003eSonata III in A Major\u003c\/li\u003e\n\u003cli\u003eSonata IV in D Major\u003c\/li\u003e\n\u003cli\u003eSonata V in D Major\u003c\/li\u003e\n\u003cli\u003eSonata VI in D Major\u003c\/li\u003e\n\u003cli\u003eAppendix\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ut Orpheus Edition","offers":[{"title":"Default Title","offer_id":7298958032958,"sku":"UOEHS99","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/hs099.jpg?v=1524911771"},{"product_id":"bach-j-s-partita-no-2-arranged-for-solo-viol","title":"Bach, J.S.: Partita No. 2 arranged for Solo 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Ortiz.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 Recercadas for Solo Viol\u003c\/li\u003e\n\u003cli\u003e6 Recercadas on “La Spagna” for Viol and Basso from “Trattado de glosas” (Roma 1553)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ut Orpheus Edition","offers":[{"title":"Default Title","offer_id":7299203039294,"sku":"UOEHS117","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/hs117.jpg?v=1524913358"},{"product_id":"schenck-4-sonatas-for-viol","title":"Schenck: 4 Sonatas for Viol","description":"\u003cp\u003eUOEHS115\u003c\/p\u003e\n\u003cp\u003eFour Sonatas for Solo Viol by Johannes Schenck.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonata V in E minor\u003c\/li\u003e\n\u003cli\u003eSonata VI in A minor (from “L’Echo du Danube” Op. 9)\u003c\/li\u003e\n\u003cli\u003eSonata IV in A minor\u003c\/li\u003e\n\u003cli\u003eSonata 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Excerpts from Bach, Marais, Telemann, Abel, Couperin, Simpson, Schenk and others.\u003c\/span\u003e","brand":"Corda","offers":[{"title":"Default Title","offer_id":12130379956286,"sku":"COUCM473","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/COUCM473.jpg?v=1536142782"},{"product_id":"crum-ed-first-solos-for-treble-viol","title":"Crum (ed.): First Solos for Treble Viol","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e55 short pieces from the Renaissance and Baroque for treble viol beginners selected and edited by Alison Crum. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA reprint (with some additional new material) of the original OUP edition; an essential work for beginner's technique on the viol.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe perfect starter collection for any viol player!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"color_15\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Corda","offers":[{"title":"Default Title","offer_id":12130479865918,"sku":"COUCM460","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/COUCM460.jpg?v=1528201406"},{"product_id":"corrette-sonata-no-1-for-2-bass-viols","title":"Corrette: Sonata No 1 for 2 Bass Viols","description":"\u003cspan\u003eA sonata in four movements from the late French baroque (1773) for solo bass viol with a second bass as accompaniment; keyboard continuo can be extemporized ad lib from a figured bass, but the music is complete with two basses.\u003c\/span\u003e","brand":"Corda","offers":[{"title":"Default Title","offer_id":12130480750654,"sku":"COUCM457","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2225\/8403\/products\/COUCM457.jpg?v=1528201784"},{"product_id":"crum-the-viol-rules","title":"Crum: The Viol Rules","description":"\u003cp\u003eSimply the best book for beginner viol players, this ring-bound book tells you everything you need to know to get started on the viol, with numerous examples and handy tips.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere are multiple music examples, with explanatory text on a facing page so that technique and interpretation can be instantly cross referenced to the music. There are a number of full colour illustrations, including details taken from historical works of art, as well as humorous sketches to enliven the matters dealt with in the text. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe principal chapters: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBasics – Holding the viol, Left hand position, Holding the bow, Moving the bow. Bowing – Bow speed, Pressure and weight, Distance from the bridge, Starting a note, Bow changes, Bow direction, Bow distribution, Dotted notes, String crossing, Articulation, Phrasing. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFingering – Resonance, Fingering choices, Playing in higher positions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic Examples – from works by Byrd, Tye, Purcell, Lawes, Jenkins, Ward, Gibbons, Holborne, Mundy, Locke, Ferabosco, Ravenscroft, Buxtehude, Marais,Telemann. Preparing to Play - Equipment, Practising, The well-tempered consort, Solo playing. 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